Miriam, About
Her Work
While in graduate school at the University of Michigan, I came across Guiseppe Tucci’s The Theory and Practice of the Mandala. I felt an immediate connection and wanted to learn more about mandalas. It was clear that the most comprehensive practices and iconography were found in Tibetan mandalas. However, as a novice to the study of mandalas, other than Tucci’s work, I found it difficult to find information in English.
I first take time to contemplate and meditate. Sitting still, I can delve deep within to listen and visualize what would otherwise be hidden by the everyday busyness of life. In the purity of the blank canvas, I’m free to take risks and honor chance.
My paintings often require considerable detail, sometimes working with paper and fabric. I may start with an image in mind, a shape or a color that is asking for a first brush stroke. Each stroke of color, each shape leads me to the next.
My work is varied. I enjoy painting in the abstract, inspired by my study of mandalas. Because of my interest in architecture, how it influences our environment and, by its design, reflects our way of living, I love to explore the dynamics of space even if it’s drawn on a two-dimensional surface. I am continually fascinated by the beauty and power of color as well as the varied perspectives of color theory.
Photo by Amber Shumake
My imagery and use of color can be startling. However, that’s how I experience the world: vibrant, pulsing. Painting evokes in me something primal.
I paint totemic masks—tribal protectors, embodiments of sacred stories that can express a range of emotions and imagery: courage, protection, grief, humor, joy, playfulness.
I love the challenge of a portrait or the human figure, albeit often quite abstract. I approach the painting as an exploration of the hidden structure and distinctive characteristics of the person.
Living in the mysterious Sonoran Desert, I’m easily magnetized by the sudden pop of cactus flowers, the dramatic shapes of the sahuaros. Every so often I’ll do a painting inspired by the flowers and cacti of the Desert.
My imagery and use of color can be startling. However, that’s how I experience the world: vibrant and at times pulsing. Painting evokes in me something primal. I feel as if I’m pulling away the outer skin of my subject matter, whether it’s a specific image, a flower, or an abstract work exploring the spatial dimensions of a world. Once a work is finished, I let it go—it has a life of its own.
I welcome commissions. It's rewarding to listen to a person’s desire for a visual image that is meaningful to them. It’s an honor to be asked, and I accept their commission with respect and enthusiasm.